Eleonora Polato (Anita) and Jonathan Frigeri (Johnny Haway) bring to life a sounding ecosystem of scattering objects, set in vibration by transducers. This set of objects generates a ghostly sound, a thick texture of crackles, tremors, pulsations and feedbacks that merge and resonate in a captivating way.
Razoff 21-1, 2021
A1 Ombra Magnetica – Concert For Transducers And Objects 1 22:12
B1 Ombra Magnetica – Concert For Transducers And Objects 2 21:20
Mastered By, Lacquer Cut By – Frédéric Alstadt
Mixed By – Eleonora Polato, Jonathan Frigeri
Photography – Renaud Marchand
Recorded By – Ludo Engels
Text By – Julia Eckhardt
Graphic Design – Laurent Schmid
Recorded 2016 in Brussels at Q-O2
THE ANNOTATION OF THE IIRRM
A newspaper of the ‘Institut de Recherche sur la Radio et la Magie‘ directed by Zonoff, published twice a year and containing texts and images around questions of magic and radio. The issues are co-edited by artists who have spent time in residence at IIRRM.
The first issue is about conspiracy theories as an artistic form, about fear and how to handle it in a society that is still struggling with how to deal with text and code.
One text explores the simple and at the same time very complex question of a proof of existence with logic and language.
8 pages, newspaper format. Issue 1, autumn 2021 edited by Jonathan Frigeri and Laurent Schmid. With texts by Vincenzo Latronico ‘Thruths out of thin air‘, (first published in the ‘Bulletins of the serving library’ 2014) and ‘FA15E FA15E B1155‘ by Laurent Schmid (2021)
cc 2021, published by Zonoff and activeRat, edited by the Institut International de Recherche sur la Radio et la Magie, c/o Zonoff, Genève
A-SIDES – A COSMOLOGY OF AUDIO EDITIONS BY ARTISTS AROUND THE ARC LEMANIQUE REGION
Art & vinyl: an analytic anthology of artist’s records in Switzerland.
Since the beginning of its existence, the record has always been used by visual artists as a form of distribution for their sound practice. First experimented with by the early avant-garde movements, the role of these sound supports was later redefined in the context of the proliferation and hybridization of forms between sound and language.
Edited by Laurent Schmid and Roxane Bovet.
Contributions by Laurent Schmid, Roxane Bovet, Camilla Paolino, Francis Baudevin, Laurence Wagner, Christophe Kihm, Luca Frei, Anne Le Troter, John Armleder, Karl Holmqvist, Charlemagne Palestine, Maurizio Nannucci, Mathieu Copeland, N.U. Unruh, Franz Treichler, FM Einheit, Hannah Weinberger, Daniel Löwenbrück, Jan van Toorn, Ben Schot, Volker Zander, Bruno Sphere, Tzii, Christophe Piette, Benjamin Novello (Blanktapes), d’incise, Frédéric Post, Francesco Cavaliere, Aymeric de Topol, Lieven Martens, Sixto Fernando, Zamzamrec, Ergo Phizmiz, Feldermelder, Joke Lanz, Jonathan Frigeri.
THE MIDDLE MATTER: SOUND AS INTERSTICE
The Middle Matter is a reader which brings together thoughts on the nature of sound; its substance, specific qualities, and potential – with a specific curiosity to its propensity to occupy the spaces in-between, the interstitial gaps between different spaces, times, cultures, and world views, between the interior body and the exterior space.
Contributions by Enrico Malatesta, Séverine Janssen, Tomoko Sauvage & Akio Suzuki, Lila Athanasiadou, Carolyn Chen, Justin Bennett, Brandon LaBelle, Anna Raimondo & Edyta Jarząb, Jennifer Walshe, Gary Schultz, Salomé Voegelin, Marc Matter, Franziska Windisch, David Toop, Pierre Berthet & Rie Nakajima, Mark Fell.
Interviews with Jonathan Frigeri, ooooo, Paulo Dantas, Melissa E. Logan, Isabelle Stragliati, Alice Pamuk, Klaas Hübner, Wederik De Backer, Benny Nemerofsky Ramsay, Lucie Vítková.
Edited by Caroline Profanter, Henry Andersen & Julia Eckhardt.
LA RADIO SIAMO NOI – Laurent Schmid, Ceel Mogami de Haas, Jonathan Frigeri – Link Edition and HEAD 2018
MENSA SONORA – Zonoff & Radio Picnic – Edition Ripopée 2018
THE MATTER OF THE RADIO – Interview with Jonathan Frigeri – Q-O2 2018
Interview with Jonathan Frigeri